The brilliant Brazilian architect Marcio Kogan, graduated from Mackenzie University in 1976, shows us one of his projects reference. His talent is only shown when it comes dramatized, to understand an environment and lead the eye on the prize Panama House.
The Panama House is not characterized by having cozy corners, soft furnishings and homely touches, but there is a sense of comfort and living in this house.
Each of the levels of the three-storey house – including bedrooms, offices, gardens and patio – are used to display the important collection of Brazilian art, predominantly modern and collection of sculpture.
A continuous connection between the interior and exterior makes the whole room seems unlimited, translucent, and without walls, but the structure is essentially a wooden box in a barrel of concrete C-shaped cements slabs and walls. Wood sliding panels form a brise soleil of the front of each room. The brise soleil also offers comfort and privacy, and allows control of the exhibition works of art “to direct sunlight.
It is not an aesthetic element solely, but also creates the smooth play of the light that matches generally with the linear forms – created by the fold in the treatments of windows, the splint of wooden floor, the rows of cushions in the long sofas, the work in the outer stone – following the extended language of all the building.
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